Now available for preorder: The Sony Electronics’ PDT-FP1 5G Portable Data Transmitter

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You can now reorder the new Sony Transmitter on BHphoto (Click here).

Press text:

SAN DIEGO – July 1, 2024 – Sony Electronics is furthering its commitment to live content creators with today’s launch of the PDT-FP1 portable data transmitter. The previously announced device, which enables high-speed, stable still image and video transport over 5G networks, provides efficiencies for news agencies, photojournalists, corporate and event photographers, and broadcast professionals, among others. It is now available to purchase for a suggested price of $1,099.99 USD: https://electronics.sony.com/mobile/5g-iot-devices/portable-data-transmitter/p/pdtfp1.

Highlights of the new PDT-FP1 include the ability to capture and transmit content from virtually anywhere; simple operation; optimized battery efficiency; reliable heat dissipation; wireless livestreaming capabilities; versatile input interfaces; support for broadcasting high-quality, low-latency video; and real-time, off-site network monitoring during data transfer.

The PDT-FP1 has already been tested for precise, real-time photo and video transmission by broadcasters and individuals, benefiting a range of high-profile events and clients. Award-winning photographer and photojournalist Nick Didlick used the new device for his worldwide travels and provided critical input that helped shape its usability. He called the PDT-FP1 “one of the most significant developments in mobile communications in the last decade,” and noted its agility and cost-effectiveness. Didlick added, “The PDT-FP1 allows me to transmit from where I am shooting rather than having to return to a media center. It worked flawlessly, allowing me to connect and upload images in real-time from various venues.”

For more information, please visit https://pro.sony/ue_US/products/wireless-tx-rx-accessories/pdt-fp1.

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Just released: Darktable 4.8.0

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Version 4.8.0  of the Open Source Darktable has been released (here are the release notes). Those are the BIG updates:

  • Introduced the color equalizer module to control
    hue/lightness/saturation based on colors. This is a (partial)
    scene-referred replacement for the legacy color zones module.
  • Two new modules have been introduced to support image composition.
    • Enlarge Canvas: As the name implies, this module can be used to add
      areas on the left, right, top or bottom of the image. The new area
      can be assigned a different color to help masking if necessary. The
      new areas can the be filled with the Retouch module by copying
      some other part of the image, using Liquify if the area is small
      or the new module overlay.
    • Overlay: This module can be used to add new content on the image
      by overlaying pixels from the current image or another image. The
      overlay content is defined by a drag-and-drop from the filmstrip
      to the Overlay module. This new content can be scaled, rotated and
      shifted horizontally or vertically. Using a mask, it can be used to
      fill an area created by the Enlarge Canvas or to add some new part
      into the image using masking. A common example is to overlay
      multiply pictures of a firework to create a bigger one.
  • Implemented a toggle switch for the darkroom mode, forcing the
    pixel-pipe processing to use the whole image data instead of just the
    area displayed. This allows the user to inspect processed data
    without errors introduced via internal scaling, and equals what we
    get by exporting in “high quality resampling” mode.
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