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Laurent:
I’m attaching a link that might interest some of your video centric crowd. It’s a trailer, it’s in 4K, French spoken but with English and Spanish subs.
I directed and shot this web-series, that will be presented at the MIPCOM film market next week, using a Sony a6500 and an a6300 as B-camera. Lenses were a mix of Zeiss glass Touit, Batis as well as some Sony-Zeiss. I chose those cameras for the autofocus speed/size ratio, and they did not disappoint. Setting was SLOG2 as I felt that with the 8-bit and 4-2-0 (about time to step things up on that regard Sony!!) it was more satisfying in tests compared to SLOG3.
The video files were post-produced in UHD by adding a layer of very slight 4K Film Grain, a layer of diffusion to selectively blow the highlights and a final letterboxing layer as we were delivering in the 2.0 aspect ratio. Edit was done in FCPX. The episodes were then graded on DaVinci Resolve.
We produced a DCP and did a premiere on one of the biggest screens in Paris (the Max Linder Cinema), which it turns out had a 2.0 ratio. So the image was projected on a roughly 110 square meter screen. At first I was afraid the grain structure would be as thick as basketballs, turns out the quality was impeccable.
I was happily surprised how well a little 900€ camera you can buy on Amazon held up to the rigours of a film set and produced a quality image. The a6500 is already a bit old by now, I certainly hope the A7S3, although there is no perfect camera, does stand tall in front of the competition, at least codec wise.
Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.
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