CIPA released the September shipment data. And the good news is that the market finally really seems to have bottomed out. In September we had a shipment increase of 34,5% in units and 67.8% on a value basis.
The world’s lightest 3 in 1 tripod collected over half a million dollar on Kickstarter (click here). Could come close to 1 million before the preorder campaign ends in two weeks. Be aware that if you buy one now you save $100!
Yep, this ain’t’ a secret folks: Sony isn’t particularly diligent in adding features on our Sony cameras via firmware update. Features like Animal EYE AF, AF Assist, Focus Breathing Compensation and Focus Map are missing on some of Sony’s top end cameras. You find them only on newly released models. Philip Bloom complained about the situation in this video (watch from minute 24).
This “strategy” from Sony is going to backfire. Why the heck should I buy a Sony camera when I know I can buy into Nikon, Fuji and so forth with the confidence that my camera will get better in time? CineD correctly writes:
We need Sony firmware updates for flagship cameras
The price of a Sony a1, a7S III or FX3 is a major investment for a filmmaker or photographer, which simply has to last longer in order to create brand loyalty. Otherwise people will simply wait for the cheaper alternative being released, because they can be sure that there will be newer, better features available at a lower price.
What’s clear is all models moving forward will have these key features; focus breathing compensation, AF assist, multi subject AF, focus map and the new video display layout.
But I personally think there is even a bigger reason why Sony has to get bold and consistent on firmware updates:
Lesnumeriques made a very accurate review of the new Sony A7rV and here are some key findings:
Build/Appearance :
It’s similar to its predecessor, but it’s clearly evolved.
Equipped with a function to protect the sensor by closing the shutter curtain when the power is turned off.
Previously, the startup speed was like a diesel car (over 1.5 seconds), but this camera averages 0.58 seconds, which is very fast. Faster start-up speeds are comparable to SLRs.
Portability :
It’s a compact camera, but you’ll be surprised by its weight.
It weighs 737g. Half the size of the Nikon Z 9, but slightly heavier than the Canon EOS R5.
The weight difference is noticeable from the days of the α7R II and α7R III.
It’s not as big as the LUMIX S1R, but it’s getting close in weight.
Grip :
The grip surface has a fine texture.
Usability :
Except for the monitor section, the control layout looks the same as the α7IV.
Movie mode has disappeared from the PASM mode dial, and a switch that can switch between still images and movies is installed at the bottom of the dial.
All controls are customizable with the exception of the PASM dial and MENU button.
Customization is expert-oriented and will take some getting used to, but you can expect satisfying results.
Image stabilization :
It has a correction effect of up to 8 stops.
It seemed to be more effective than the α1 in live action.
Monitor :
Sony explains that moving the monitor away from the back of the camera also improves heat dissipation at 8K.
Focus system :
I tested it with the FE 24-70mm F2.8 GM II.
In daylight there is a slight difference to the A7R IV, but in low light the A7R V is much better.
It supports object recognition of vehicles.
You need to get close enough to detect an insect.
High sensitivity ISO noise :
JPEG looks good up to ISO 12800.
Detail is very good up to ISO 1600.
Detail starts to fall off at ISO 3200, but is still useful at ISO 6400.
It is after ISO 12800 that I feel the problem of detail.
Dynamic range :
Since there is no way to edit RAW at present, it is not evaluated.
Video :
The 8K image quality is on par with the α1, but below the EOS R5 and Z9.
The rolling shutter is quite noticeable.
Overall review
It has the same very good sensor as the A7R IV, but with some upgrades. It’s an ambitious, high-performance camera with an improved body, improved ergonomics, and increasingly impressive AF tracking. The biggest drawback, whether still or video, is still the rolling shutter, which is too pronounced for an electronic shutter. Still, I think it’s a worthwhile camera that embodies camera-making know-how.
Pros :
– Very good EVF – Good
ISO performance
– 240-megapixel high-resolution shooting
– 8K 24p
, 4:2:2 10bit
– 4K UHD 30p without cropping
– Subject detection AF
– 8 stops Image stabilization
, fast startup
, 4-axis free-angle monitor
, a wide range of interfaces
, customizability
, dust and splash proof
Cons :
Continuous shooting speed up to 10fps
Electronic shutter fastest 1/ 8000s
Limited focus map assist
Crop at 4K 60p and 8K
No DCI format support
Noticeable rolling shutter
4K live streaming 15fps limit
Body size: maximum diameter Φ61mm x total length 74.5mm Supported formats: APS-C Lens construction: 8 elements in 8 groups Filter size: Φ46mm Minimum Focus Distance: 0.92m Maximum magnification: 1/2.5 Focusing method: Manual focus (front lens extension method) Weight: about 235g Hood: MH-461
Tokina SZ 600mm PRO Reflex f/8 MF CF
Body size: maximum diameter Φ88.6mm x total length 125mm Supported formats: APS-C Lens construction: 8 elements in 8 groups Filter size: Φ77mm Minimum Focus Distance: 1.77m Maximum magnification: 1/2.5 Focusing method: Manual focus (front lens extension method) Weight: about 545g Hood: MH-775
Tokina SZ 900mm PRO Reflex f/11 MF CF
Body size: maximum diameter Φ96.1mm x total length 168mm Supported formats: APS-C Lens construction: 7 elements in 7 groups Filter size: Φ86mm Minimum Focus Distance: 2.61m Maximum magnification: 1/2.5 Focusing method: Manual focus (front lens extension method) Weight: about 725g Hood: MH-861
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