Finally: Sony released new A7IV firmware update 2.0

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Download it here: sony.com/electronics/support/e-mount-body-ilce-7-series/ilce-7m4/software/00288929. The creator app also got an update to add A7IV support: apps.apple.com/us/app/creators-app/id1616622856

  1. Added support for Creators’ App.

    * A new mobile app Creators’ App is available to replace Imaging Edge Mobile.
    With the Creators’ App, you can transfer images from the camera to your smartphone, shoot remotely, and use a variety of other functions.

  2. A function has been added to further improve security when connecting for remote shooting or image transfer from Creators’ App or Imaging Edge Desktop.

    * Please update Imaging Edge Desktop to the latest version (Ver.3.6 or later).

NOTE: There might be some improvements that are not mentioned in the press release. Please comment this post if you find some!

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RUMOR: Sony will announce a new High End APS-C E-mount camera before Summer!

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Image on top from Dpreview

The last real “photocentric” APS-C E-mount cameras were announced back in 2019. They were the A6100 and A6600. We got two more APS-C cameras after them but they were made for Bloggers (ZV-E10) and the Filmmakers (FX30).

Now a trusted source told me there is definitely a new APS-C E-mount camera coming right before or max early Summer! He said this would be a new High End model! That’s all I got as RELIABLE info for now. I don’t know yet if this will be a new A6700 (Similar A6600 sized body with maybe the 26Mp FX30 sensor) or a A7000 (bigger A7 styled body with Sony A1 alike features).

In y video below I discuss what I think about the A6700 vs the A7000:

So now it’s time for you to let us know:

What do you hope to get?

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There will be plenty of rumors and also possibly image leaks. So be sure to follow my new Youtube channel, Discord channel, Instagram (with funny AI images to annoy people), Facebook and Twitter to not miss news and rumors.

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New Topaz Photo AI update

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I am a big user of Topaz Photo AI. I constantly use it to upscale my photos and my AI generated images I post on my Instagram account. And it now got a big update that brings the following improvements:

Basic Brush to edit subject selection

You can now access a new basic brush to manually refine auto-detected subjects:

horse-mask

basic-brush@2x

You’ll also notice that softness / feathering is applied all at once instead of per stroke. Because the brush is for subject refinement rather than precise selection, it’s intended to be fast, simple, and easy instead of a comprehensive painting tool.

Apple Photos extension

You can now select Topaz Photo AI in the Apple Photos EditExtensions (…) menu:

Edit In

Note: don’t use the right-click → Edit In menu because TPAI will open in standalone mode, which will prevent the finished image from automatically appearing in Apple Photos.

Better cropping

The Crop tool now always stays centered and works more intuitively than before:

CleanShot 2023-03-02 at 18.04.15

Enhance Resolution parameters

You can now manually adjust Enhance Resolution parameters for more control over upscaling results:

CleanShot 2023-03-02 at 08.53.18@2x

These settings describe the input image rather than the strength of the effect. In other words, for each image there’s a perfect combination of optimal values that Autopilot tries to detect. If you feel like Autopilot’s not doing a good job, you can now experiment with them yourself:

  • Suppress Noise: the level of color / luma noise in the input image
  • Remove Blur: the degree of softness or motion/lens blur in the input image
  • Fix Compression: the level of compression artifacts like jpeg blockiness and aliasing in the input image

Please let us know if you see Autopilot consistently misapplying settings for certain images.

Smaller faces are now sharper

v1.1.9 introduced a Face Recovery issue that caused unintentionally blurry output with smaller faces. This is now resolved:

Also, Face Recovery strength now defaults to 80 instead of 100, which leads to more natural results without visible compromise in recovery strength. We’ll continue investigating other known Face Recovery issues in the Roadmap.

Other improvements and fixes

  • Added support for more DNG types (HDR, Monochrome)
  • Add compression option for PNG exports
  • Support for opening jif, jfi, jfif, and jpe files
  • Lightroom Classic Plug-ins Extras integration now copies Rating and Keyword data, stacks images, and preserves metadata from sidecar files
  • Fix issues with the command-line interface (CLI) for Windows and Mac
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Sony will announce a new “high end camera” before summer!

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I got confirmation Sony will announce another E-mount camera after the ZV FF E-mount launch in late March. The camera is rumored to be announced before the start of the hot Summer. I will post a bit more details today at 15:00 London time here on SAR. The video about this will be posted at 14:45 London time on my Youtube channel (kindly subscribe!).

About the ZV FF camera: I will posted something more about it soon too…


P.S.: I know you hate these teasers, but many do copy my rumors without to credit me. So I have ot make it clear who makes all the job to gather this information. Thanks for your understanding!

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Sony interview: New APS-C cameras and new affordable lenses are on our roadmap

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Phototrend interviewed Yu Takae, Senior Manager in charge of ILC product planning – interchangeable lens bodies – at Sony Corp. A couple of highlights:

About the APS-C strategy:

We believe that APS-C cameras can meet different needs than full-frame cameras, thanks to their compact size. Sony will therefore continue to rise to the challenge of creating attractive products not only for creating videos, but also for photographers.

About sports cameras future (Sony A1 and Sony A9II):

Our strategy for professional sports photographers is clear: we will continue to listen to professionals in the field and exceed their expectations.

On Sony lens roadmap:

I cannot predict exactly when and what type of lenses will be released, but we would like to offer more affordable lenses in the future.

On lens designs:

we are prioritizing significant reduction in size and weight to improve usability in more situations.

About the RX1 Full Frame series future:

Unfortunately, I am unable to tell you about the RX series. We can’t pronounce on the future in terms of future product planning, but we are always listening to consumers and will deliver what they want.

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Sony 20-70mm Review by Photographyblog: “excellent”

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Sony 20-70mm at BHphoto, Amazon, Adorama, FocusCamera, FotoKoch, Fotoerhardt, Calumet, WexUK.

Photographyblog tested the new Sony lens and concluded:

We can still remember the days when a 24-70mm lens was considered to be daringly wide in comparison with the usual 28-70mm models, so it’s perhaps no surprise to see the debut of a standard zoom that starts at 20mm in the form of the new Sony FE 20-70mm F4 G.

It may not look like much to the casual observer, but that extra 4mm makes a big difference in practice, so much so that it could remove the need to also carry an ultra-wide angle zoom for some users.

What’s more, there’s no loss of image quality by going from 24mm to 20mm with this lens – the optical performance only really drops off at the longer 70mm end of the range where it’s not quite so sharp wide open as at all the other focal lengths.

It produces some nice bokeh effects thanks to the 9-blade iris diaphragm, vignetting is not too obvious and chromatic aberrations are almost non-existent. Even the close-up performance is great, especially at the telephoto end, which adds even more to the lens’ versatility.

Auto-focusing proved to be satisfyingly quick on the Sony Alpha A7R IV that we tested the lens with, and it offers a near silent experience that will suit movie shooters and candid street photographers alike.

Build quality is very good, despite the lightweight hybrid plastic and metal design, and this lens is also very usefully weather-proof thanks to seals around all the buttons and switches and a rubber gasket around the lens mount.

The aperture ring is a very welcome inclusion, especially as it can be de-clicked for video and also locked into place. With two focus hold buttons and an AF/MF switch, this is a well featured lens indeed. Sony have also included a decent lens hood and a good quality soft case in the overall package.

Sony and the other third-party lens manufactures offer a bewildering choice of standard zoom lenses, but none of them extend as wide as 20mm, with the exception of the Tamron 20-40mm F/2.8 Di III VXD which offers a much shorter telephoto reach.

If you’ve always wanted a standard zoom lens which offers a uniquely wider angle of view that’s perfect for both landscapes and vlogging, then you need look no further than the excellent new Sony FE 20-70mm F4 G.

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