Sony announces an awesome Super-35mm camcorder

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Sony also announced its first cinema camcorder (PMW-F3) with its new “Super 35 CMOS sensor” onboard. The camcorder has a PL mount lenses, MPEG-2 Long GOP video compression scheme and XDCAM EX Recording format. To bad the camera has no Alpha mount but I guess it makes a lot more sense to use the PL mount to appeal the pro-market. PL-mount lenses are especially designed for video and very expensive lenses ([shoplink 4596]I found lenses up to $38.000 here on eBay[/shoplink]).

Press release:

The PMW-F3K is part of the CineAlta 24P family of digital cinematography products and its support for multiple frame rates includes a filmic 23.98P as well as S-Log workflows.

Sony’s Exmor™ Super35 CMOS sensor was designed with the benefit of two decades experience in Digital Cinematography, pioneering digital HD acquisition for feature films and broadcast TV through the legendary CineAlta product range. It brings a true ‘film look’ and superior image quality into reach for independent movies, pop promos, commercials and other applications, as well as making the PMW-F3K an ideal B-camera for high-end feature film production.

The PMW-F3K is supplied with three high quality Sony lenses and an industry standard PL Mount adaptor providing compatibility with industry standard 35mm lenses. (Also available is the lens-less PMW-F3L.)

Exceptional flexibility is a key feature of the PMW-F3K along with with multiple workflow options. XDCAM EX’s proven high-speed, intuitive workflow offers seamless integration with leading nonlinear editing software – as standard. In addition, a 10bit 4:2:2 HD-SDI output opens up hybrid recording possibilities with a variety of external recording devices. And from April 2011, a Dual Link HD-SDI option will enable 10bit RGB uncompressed signal output – ideal for the high-end film production.

This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.

Sony intend to release it on the 1st of February in with-lens (2,205K JPY) and without-lens (1,522.5K JPY) packages.

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Sony teases the future fullframe videocamera (to be announced on November 17th)

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The SOny FF camcorder teaser (with a Zeiss master prime lens)

Sony teased this stealth picture to Film and digital times. It’s the new fullframe Sony videocamera. Specs and price will be revealed on November 17th. Sony Professional has shown a prototype of the camera at the IBC 2010 Press Conference on September 10th (Click here to see the video of the presentation).
This is the image of the “Mockup”:

Reminder we ecpect Sony to announce the [shoplink 3058]NEX-VG10[/shoplink] successor (with two XLR inputs and more andvanced controls) by early 2011 to compete against the Panasonic AG-AF100.

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Thom Hogan thoughts and 2011 predictions about Sony

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Thom Hogan posted his 2011 camera and lens prediction. First he analyzed the current year for Sony: “2010 was the year Sony took off on a tangent. NEX and Pellicle mirror cameras are definitely both a bit on the side of non-traditional DSLR plays. The inexpensive full frame thing failed, as did the dozens of low-end traditional-DSLRs-with-minor-differences thing. Somewhere in the organization Sony execs sent and responded to a different memo than the one Canon didn’t see. Sony’s is a high risk, high reward (or big failure) strategy. Ironically, the best NEX camera is the video model, the [shoplink 3058]NEX-VG10[/shoplink]. But Sony has a lot to work on still for stills, even if they get the [shoplink 3228]A700[/shoplink] replacement out and maybe a new full frame sensor flagship: lenses. They need more lenses (NEX, APS, full frame, you name it). Without those lenses, the rest of the strategy will almost certainly fail to bring Sony up to the Nikon/Canon level. The NEX was a good idea, but we’re stuck at three lenses, two of them way too big for the camera (compare a Samsung NX100 kit with the [shoplink 3003]NEX5[/shoplink] kit).”

And those are Thom’s prediction for 2011: “Not too difficult to predict that the A700 replacement appears, though I think there are some surprises to those that haven’t been paying attention: pelliclemegapixels, GPS inside option, etc. Looking at the feature list on paper the camera looks like a Canon and Nikon killer. But it isn’t, it’s just another Sony (oh, I know I’m going to get beat up over that line). Competent, but a little unfocused in target user (and interface), and not quite at the same pixel peeping level as its competitors. Hey, what about the rumored 24mp APS sensor? Answer: how many lenses does Sony have that could resolve well on that? Four? Five? So putting a camera out with what is essentially the maximum for useful APS pixel count doesn’t seem like it would be a big winner given the other constraints (e.g. lenses). (One source does tell me that Sony has 4-5 Zeiss lenses planned for 2011 launch, including a 200mm f/2, so perhaps these will fill that void and give the 24mp users something to shoot with.) You don’t really want to put out a camera that might cause a majority of its users to start posting “it wasn’t worth it” messages all over the net. Still, the multiple “economy full frame” excursion that Sony went on seems to imply that they’ll throw just about anything at the wall to see if it sticks, so we probably will see a 24mp crop sensor camera from them, and it may be the A700 replacement. I’ll just go on record as saying that would be foolish. I don’t think it’s difficult to predict that Sony have at least two more NEX models by the end of the year and at least three more NEX lenses. What’s tougher to predict is what happens with full frame. I think we’ll see one more stab by Sony there, mainly because it was already in development before the upper management started questioning the large sensor payback. So which is it: full frame with video, or full frame with a pellicle mirror, or both? Given what I know about the sensor development, the video is a given. So my guess would be both. Meanwhile Sony, like Panasonic, will join the compact-camera-with-built-in-cellphone game (call it the Sony Erickson Cellular Alpha, or SECA for short). mirror, more ”

You can’t comment Thom Hogans thought on his website (he doesn’t have any comment system). I told Thom that he can visit our website to read youre comments about his predictions! Let Thom know what you think!

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The need for speed: Kowa 55mm f/1.0 on the Sony NEX

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[shoplink 4575][/shoplink]

We are all waiting for Sony to release some new fast primes for our NEX camera. Meanwhile we have to look for third party lenses that can satisfy our need for speed. I found that lens on eBay: Kowa 55mm f/1.0 ([shoplink 4575]Click here to see the Kowa eBay auctions[/shoplink]). That lens has been modified to fit on your NEX camera without any adapter! Of course it’s manual focus only. It’s soft wide open but might you like that creamy effect.

To see some image samples visit the [shoplink 4575]eBay dealers product page[/shoplink]. They have some images to show. If you tested that lens on your NEX let us see some of your images!

Thanks!

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DxOmark weird results. Pentax K-5 beats the Sony A55 (and the Canon 5DmarkII)

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So now I am really to start to be worried about their DxOmark results. They just published the Pentax K-5 sensor test and the K-5 easily beats the [shoplink 3617]Sony A55[/shoplink]. What’s so crazy about that? The K-5 and the A55 do feature the same Sony 16 megapixel sensor! How the hell did they manage it to have a 1,6 stop advantage over the A55? And is it possible that a full-frame camera like the Canon EOS 5D Mark II isn’t better than the K-5?

I understand that the imaging processor are different but I don’t know if that alone can explain the huge gap!

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Sony TidBits (new Sony A55 review at Dcresource)

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Superdrift Challenge 2010 Final Show (shot with the [shoplink 3058]Sony NEX-VG10[/shoplink])

Dcresource tested the new [shoplink 3617]Sony Alpha SLT-A55[/shoplink]: “Despite a few annoyances (which every camera will have, in one form or another), it’s hard not to like the Sony Alpha SLT-A55. It’s a great choice for those who want to capture fast action, instantly create panoramas, or just take great pictures without having to take a class first. Whether you’re thinking of buying your first D-SLR, or already have a collection of A-mount lenses, the SLT-A55 is definitely worth your consideration.

American Peyote posted a new [shoplink 3058]Sony NEX-VG10[/shoplink] User Review. What is really amazing are their Studio Portrait pictures made with the camcorder! Check out their Flickr page. They say that it: “Works much better than the NEX5 would (which has no hotshoe to trigger the stobes)

Sony Alpha A580 at photocomment.

Blake Lively and her Sony NEX-5 (SonyAlphaNex)

Sony NEX VCLECF1 Fisheye Conversion and Italy (SonyAlphaNex)

Full Sony A33 review at Imaging Resource.

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