Could the new High End Camera be the first with Full Frame curved sensor?

Share


The first picture of  Sony’s curved sensor via Spectrum.

A source sent me this:

I am not sure if this applies to the new secret high end camera, but seems possibly even more so likely:
Sony has been churning out the new curved sensors in full frame for the last couple of months.
According to their required market reports they increased their yield from 800 sensors to 1200 per month (raising it to ~80% yield).
The benefits are astounding. Increased sensitivity and higher sharpness towards the edges. The underlying sensor design is independent of this process but necessary a back side illuminated. My hopes and best guess is the A7RII sensor is used as a base, but Sony will surprise us again and do with a completely new sensor design…

Also in the patent
http://www.freepatentsonline.com/20150077619.pdf
They describe a couple of new lenses specifically designed for the curved sensor, most notably a 35mm f1.8  
These lenses will need a new mounting system.
Also the additional slightly risky step to produce a sensor will increase the cost of it significantly (50-70% increased sensor cost)
Both in combination could only pushed to the consumer in the very high-end market.  Also a curved sensor really would be a revolution on it’s own, because all films until now have been more or less flat.

 

Share

New Nocturnus 35mm f/0.95 APS-C E-mount lens is now in Stock and shipping

Share

[shoplink 42362 ebay]nocturnus-0.95-35mm1-600x519[/shoplink]

The new (and very expensive) Meyer Görlitz Nocturnus 35mm f/0.95 E-mount lens is in Stock for the very first time on [shoplink 42362 ebay]eBay Germany (Click here)[/shoplink]. These are the lens specs:

Technical information:
Light intensity & focal length: f0,95; 35 mm
Optical design: 10 elements in 7 assembly units
Number of aperture blades: 10
Minimum focusing distance: 0,3 m
Angle of view: 46° (APS-C)
Gewicht: 680g
Optimised for APS-C sensors

Characteristics:

  • Exceptional light intensity
  • Ideal for low-key situations and shooting with available light
  • Minimal chromatic aberration
  • Well-balanced bokeh
  • Near-silent aperture and focus adjustment
  • Also ideal for video use
  • Precise, high-quality workmanship
Share

World record? Biggest photo print by SALON IRIS, shot with Sony A7II

Share

Lazarus@Photo+Adventure1

Stefan Fiedler sent me this:

At the recent Photo+Adventure trade show in Vienna, Austria my photo and fine art printstudio SALON IRIS proudly presented the giant panoramic photo print “Twilight Light” by Brooklyn, NY photographer Lazarus Jean-Baptiste. It is what we believe is the biggest ever in one piece printed and mounted photo exhibition print.
http://www.photoadventure.at/
http://www.photoadventure.at/weltrekord-megaprint-by-salon-iris/

Lazarus@Photo+Adventure4

Printed by SALON IRIS with an HP L28500 latex printer at photographic quality with 1200dpi resolution at the gigantic dimensions of 8,2 x 31,8 feet and mounted in one piece we could impressively demonstrate state-of-the-art photo and printing capabilities.

Brooklyn, NY based photographer Lazarus Jean-Baptiste (a.k.a. LAZARUS2020) was born in Port-au-Prince, Haiti. He moved to NY at the age of 11 where he became a successful make-up artist. Over the past years the skyline of Manhattan has become his prefered “model”. He describes his photographs as “UHDR2” (Ultra High Dynamic Range and Resolution Cityscapes).
http://lazarus2020.com/
Please also see Lazarus´ bio attached.

Lazarus shot 26 individual photos with a Sony Alpha 7II at two rows of 13 images which were stitched for the giant panorama. The lens he used was a Canon EF 200mm F2.8L. He shot from from the New Jersey shores 1,5 miles away. Still individual persons can easily be identified in the windows of the Manhattan skyscrapers!

Interesting side note: Stefan Fiedler only met Lazarus Jean-Baptiste recently and by mere chance in front of the Photoplus Expo 2015 at the NY Javits Center when they started talking about the same Sony Alpha 7RII camera that they had both hanging around their necks. Over a cup of coffee Stefan discovered the incredible talent of the self-taught photographer Lazarus and they both decided to show Lazarus amazing work to the world – starting with the sensational panoramic print and more fascinating ChromaLuxe prints at Photo+Adventure.

——-

SALON IRIS (www.salon-iris.com) is a leading photo- and fine art print studio. It was founded 1996 by Stefan Fiedler in Vienna, Austria. The studios name refers to the legendary Iris inkjet printer that the studio used in the early days.

The highly successful Photo+Adventure trade show in Vienna, Austria attracts more than 20.000 photo and outdoor enthusiasts every two years.

Lazarus_Twilight Lights

Share

A comprehensive view on the Zeiss Milvus family tested on the Sony A7 (3D-Kraft).

Share

A7_Milvus

Milvus 50mm on the A7 (image courtesy: 3D-Kraft ).

The new Zeiss Milvus lens comes in native mounts for Canon and Nikon DSLR. Of course you can sue it on Sony FE cameras too. But how much sense does it make to use those lenses on a Sony? 3D-Kraft (Click here) posted a comprehensive view on the Zeiss Milvus family tested on the Sony A7. The conclusion is:

“As a mirrorless shooter always striving for highest achievable image quality with equipment as lightweight and compact as possible when on the move, I must concede that I am in a kind of conflict with the Milvus line. Their extraordinary solid mechanical quality in a wheather sealed metal housing comes for the price of size and weight. Most of the Milvus lenses seem to be better balanced when used on full frame DSLRs but on the other hand, manual focusing is far better supported by mirrorless systems with in-body stabilization working in live view mode with focusing aid by zoom magnification and peaking. For Sony Alpha with FE mount meanwhile you get many native and more compact pendants from Zeiss in the same price range like the Loxia line (a Loxia 21 review will follow soon, stay tuned!) or primes including AF support like the FE 1.8/55 and Batis 1.8/85.
However, the optical quality (sharpness, bokeh, micro contrast, flare resistance, distortion control) – especially of the new designed 1.4/50 and 1.4/85 – is very good, the only weak point is their lack of apochromatic correction so that you will see some axial CAs (“boke fringing”) at open aperture especially from the f/1.4 lenses. Usually this type of CA can be removed in post processing quite easily. If you look for “no compromise” apochromatic corrected lenses, you might consider lenses of the Otus line (Otus 1.4/28 review coming soon on this site!) but those do not have features like wheather sealing or declickable aperture ring, which you find in the Milvus line.”

Read the full detailed test at 3D-Kraft

Here are the detailed Lens info and preorder links:
Zeiss Milvus 100mm f/2M ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 100mm f/2M ZF.2 Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 21mm f/2.8 ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 21mm f/2.8 ZE Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 35mm f/2 ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 35mm f/2 ZE Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 50mm f/1.4 ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 50mm f/1.4 ZF.2 Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 50mm f/2M ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 50mm f/2M ZE Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 85mm f/1.4 ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 85mm f/1.4 ZE Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).

Share

Interview with Christophe Casenave from ZEISS: “Sony Alpha is in a phase of professionalization”

Share

Zeiss

Lenspire posted the content of an interview with Zeiss product manager Christophe Casenave. Here are a couple of interetsing informations:

1) Sony Alpha is in a phase of professionalization:Sony Alpha is one of the most rapidly evolving system, the one in which most innovation is brought at the moment and it is a system in a phase of professionalization. We believe that we can help making this system appealing to professional photographers by providing pro-grade lenses.

2) Reason for the Sony A7 success:Many people like to provide old lenses they owned, or sometimes their parents owned, a second life. Even if these lenses are not ‘up-to-date’ or modern in terms of quality, they provide some kind of nostalgic look. Only this system allows to adapt so many older lenses.”

3) Why they launched the Loxia series:We remarked that many people were adapting our ZM lenses, even if they are not all optimal for the digital sensor. In addition, we figured out that the AF lenses, while still quite compact, compared to DSLR lenses, still tend to get bigger on this system. The combination of these three factors gave us the idea to develop a new family of very compact, very high craftsmanship manual lenses

4) Why the Loxia 21mm has a complete new design (not borrowed from the ZM series):We could not do a symmetrical design, because we needed to ensure that the ray angle is low enough to avoid any kind of aberrations in the corners. As such, we chose a Distagon, with a very light retro-focus.

Personal note: “Sony Alpha is in a phase of professionalization”…can’t wait to see that coming true at Photokina 2016!

Links to all Zeiss made FE Loxia and Batis lenses:
Zeiss Batis 85mm f/1.8 lens in US at Amazon, Adorama, Bhphoto. In Eu at Amazon DE, WexUK. In Asia at Digitalrev.
Zeiss Batis 25mm f/2.0 lens at Amazon, Adorama, Bhphoto. In EU at Amazon DE, WexUK. In Asia at Digitalrev.
Zeiss Loxia 50mm f/2 Planar T* Lens for Sony E Mount at Amazon, BHphoto, Adorama., WexUK, CameraPro.
Zeiss Loxia 35mm f/2 Biogon T* Lens for Sony E Mount at Amazon, BHphoto, Adorama, WexUK, CameraPro.
Zeiss Loxia 21mm f/2.8 FE lens at BHphoto and Adorama. In Europe at WexUK.

Share

FS5 now shipping. Review by Newsshooter.

Share

The new FS5 4K E-mount camera is now in Stock and shipping at Adorama (Click here) and BHphoto (Click here).

And Newsshooter reviewed the FS5 with Kai from Digitalrev:

As a B-camera on larger productions the FS5 should work well in places where you might previously have used a DSLR, GH4 or Sony a7S. Obvious uses include on brushless gimbals and in-car rigs, although you will probably want to record externally.

Newsshooter also tested the camera at anti-war protests:


Unboxing a Sony PXW-FS5 | Sony | 4K Creators

Share