Women of Influence (here at BHphoto) is an inspirational look at the talent, drive, and perseverance that forged some remarkable photographic and filmmaking careers. Ten leading women explore their works, the stories of how each built careers, overcame challenges, and developed signature styles.
This is the interview with Sony Artisan Cristina Mittermeier:
Former Hasselblad and Canon Shooter Makes the Switch to Sony
Sony | FS7 II FS5 | Electronic Variable ND Filter Introductory Video
Sony Introduces the World’s Fastest SD Card (Sony Blog).
Raw or JPEG: when to use each file format (CameraJabber).
SD association doubles bus interface speeds with UHS-iii (MirrorlessRumors).
How To Shoot Perfect Panoramas and Timelapses (Adorama Learning Center).
Podcast: Canon, Epson, and Digital Printing Options for Photographers (Explora).
Boris: “I shot the new “Tokio Hotel” Music Video entirely on Sony Gear and i thought maybe i should share this with my favorite sony site. :) https://www.youtube.com/watch?v=oyIDAzXoliA
I shot it on the Sony A7s II (B-Cam for Slow-Motion Shots was an second A7s II with the Sigma 18-35mm 1.8).
Lenses i used were the 85mm Gmaster, 24-70mm Gmaster and the 16-35mm Zeiss.
Everything on Slog-3 no custom settings.“
The new Mitakon 20mm f/2 4.5X Super Macro Lens is now listed at BHphoto in two version: A-mount (Click here) and E-mount (Click here). This is what the lens does:
Offering a magnification range of 4.5x to 4x, and a minimum working distance of 0.8″, this lens is solely designed for producing greater-than-life-size images of small objects without the need of extension tubes or other accessories.
DC.watch posted a test made with this lens and here is how it looks on the Sony A7:
It may be a good lens on a Sony A7S (II) but the 42mp sensor of the Sony A7R II is clearly out of its league. The center quality is up to the task but the quality at the outer image regions leaves something to be desired – at all focal lengths. Lateral CAs are fairly decent. The amount of vignetting is low thanks to image auto-correction (which you can’t deactivate). It’s also a good idea to activate distortion correction because the native characteristic isn’t pretty. Judging the quality of the construction is always a bit tricky but the Sony FE 28-70mm f/3.5-5.6 OSS certainly feels like a well-made lens. It is, of course, mostly made of (good quality) plastics but there are no wobbly parts. The rubberized control rings also operate nicely. It’s even weather-sealed which is unusual in this lens class. The AF doesn’t stand out it’s quite fast and silent. Given the fact that it is a slow lens, the optical image stabilizer (OSS) can certainly come handy in low light scenes.
photobynorb on SonyAlphaForum This picture is the last of a series. I was asked to create a series of picture about this girl because she had problem to get over her depression. This last picture represents to leave all her sorrowbehind, that’s the reason there is no reflection of her in the water. I win 1st place in Hungarian Playboy/Sony ‘Sunset feelings’ photocontest with this picture in 2015.
Both Rokinon FE lenses got a $200 discount:
The 50mm f/1.4 autofocus FE sells for $499 only at eBay US (Click here).
The 50mm f/1.4 autofocus FE sells for $499 only at eBay US (Click here).
Note that the store selling this is owned by Samyang/Rokinon itself!