Samyang 135mm F/1.8 FE Review at ePhotozine: “a great lens at a great price”

Samyang 135mm f/1.8 FE preorder at BHphoto, Adorama. Calumet DE, FotoKochDE, WexUK.

ePhotozine tested the new 135mm FE lens and concludes:

The lens offers lovely, crisp images with smooth, pleasing bokeh as well. This is an indication that the lens is sharp but not so cruelly sharp as to make it uncomfortable as a portrait lens nor is it so over-sharp that the bokeh becomes relatively ragged. No, this one is as smooth as silk, a lovely performer, as slick as the beautifully engineered lens mount that bayonets onto the Sony A7R III.

Add to this low distortion and CA, close focusing, superb flare control and hardly any vignetting and the result is a very well put together lens at a very attractive price. Some may find 135mm slightly long for some subjects, but the rest of this range also includes a 75mm, so there are other options if needed.

In summary, a great lens at a great price and ‘Highly Recommended’.

Amateur Photographer reviews the new Samyang 50mm f/1.4 FE II lens: “it’s an excellent choice”

Thew new improved version is now in Stock with a $70 discount at Bhphoto. and Adorama.

Amateur Photographer concludes:

When Samyang released its original 50mm F1.4 back in 2016, it counted as a very decent first effort at an autofocus optic. But expectations have changed since then, with lenses now required to provide a good account of themselves on high-resolution sensors while also offering video-friendly characteristics. Judged against this higher bar, the Samyang AF 50mm F1.4 FE II acquits itself well.

By any sensible measure, this is a fine lens. Optically it’s a massive upgrade on its predecessor; in particular, it’s much sharper at large apertures. Yet it’s also smaller and noticeably lighter, while benefiting from useful additional controls and weather-sealed construction. Autofocus is dramatically improved too, being quicker and quieter, with minimal breathing.

Indeed, casting around for points of criticism feels a little churlish. It probably doesn’t focus quite as rapidly as its rivals, and I wouldn’t expect to get the same hit-rate of perfectly sharp shots when using continuous AF with erratically moving subjects. But this is easily forgiven for a lens that’s less than half the price and practically half the weight of its Sony counterpart.

Where the previous optic was perhaps best seen as a good fit for users of 24MP A7 cameras on a budget, the Samyang AF 50mm F1.4 FE II is now entirely at home on the 60MP Alpha 7R IV, and indeed looks like it has more in reserve for higher resolution sensors. For Sony users looking for a fast standard prime, but who are put off by the size, weight and price of its rivals, it’s an excellent choice.

Dpreview tested the Pentax to Sony MonsterAdapter

The new Pentax K Lens to Sony E-Mount Monster autofocus Adapter is now in Stock at BHphoto (Click here).

The new adapter has been tested by Dpreview. The conclusion:

While its performance will vary depending upon your chosen lenses and camera bodies, we found the LA-KE1 adapter to yield rather lesser AF performance than is natively available from Pentax bodies, even when they’re using their slower contrast-detection AF in live view mode.

But we also found that getting focus in the ballpark first helps significantly with performance, especially for screw-drive lenses or those with long focus throws. And while it wasn’t as peppy as the native AF, we found the LA-KE1’s AF speed pretty acceptable for all but very active subjects like sports.

And that tradeoff in performance brings more potential than the obvious advantage of being able to use your Pentax glass with a mirrorless body. For one thing, it means access to resolutions beyond the K-1 II’s 36 megapixels, and multi-shot high-res imagery that (unlike Ricoh’s) increases the pixel count still further.

For another thing, it gains you access to Sony’s eye-detection autofocus algorithms, which can be hugely helpful for portraits of people and pets alike. And you’ll have dense AF coverage across the frame, unlike Pentax’s phase-detection AF which has relatively few points and is centrally-focused.

The focus drive delivers sufficient accuracy not just for Sony’s cameras to nail focus in a precise area of the image, but also to allow for things like fine adjustments to focus when tethering. In fact, I even successfully used it for focus bracketing with Sony’s Imaging Edge Remote and the open-source B8Stack application.
It’s a great pity that support for video capture isn’t possible, as that’s long been a weakness of the Pentax K-mount which, if solvable, could’ve been a huge deal for Pentaxians. But MonsterAdapter has to work within the boundaries of what Sony’s lens adapter support allows, and so for now decent K-mount video must remain a pipe dream.

Really, the only sticking point is the pricetag. There’s no getting around the fact that this is quite an expensive adapter even when compared to similar products from much better-known names. For example, Sony’s own LA-EA5 adapter comes in at around $250, as do both Sigma’s MC-11 adapters for EF and SA-mount lenses.

But Sony and Sigma can subsidize its costs with body or lens sales, whereas the MonsterAdapter’s fortunes must stand on its own sales alone. The high pricetag isn’t completely unprecedented, either, as Metabones’ EF-mount adapters also come in at around $400.