The new Tamron zoom specs are damn close to the one of the Sony 24-240mm FE!

Two reliable sources told me this:

The new Tamron FE zoom lens is damn close (in terms of specs) to the current Sony 24-240mm f/3.5-6.3 OSS FE lens.

This is my speculation (I repeat speculation and not rumor):
1) The Tamron specs might be something like 28-240mm f/3.5-5.6 and has no optical stabilization (the Sony has it).  Having 4mm less at the wide end and no OSS would allow Tamron to make the lens more compact and a bit faster at the tele end. I think my speculation is probably veeery close to the real deal :)
2) Or 28-280mm f/3.5-6.3 with 40mm more at the tele ens.

Just a small update on the upcoming new Tamron FE lens:

  • specs might be something like 28-240mm f/3.5-5.6 (more or less)
  • Has a focus locking switch
  • more or less same size as the current 28-75mm lens.

Sigma 24-70mm review by Lenstip: “well-put-together lens”

Lenstip tested the new Sigma 24-70mm FE lens and unlike all other reviewer they were a bit less impressed by it’s performance:

The Sigma A 24–70 mm f/2.8 DG DN is a well-put-together lens, sharp practically across the whole focal lenghts and aperture range. Its tests results, however, leave us a bit dissatisfied. Even the mere pros-to-cons ratio is higher than in the case of other Sigma instruments, tested by us lately. Still, the number of flaws is not as jarring as their intensity – you deal here with really nasty distortion and vignetting levels. The explanation that these two aberrations can be easily corrected with the help of software I don’t find especially convincing. I’d rather optics specialists tried harder and corrected at least some of them with optical system, not leaving all the work to software. Additionally, the presence of longitudinal chromatic aberration, with so many low dispersion elements inside, was rather a nasty surprise.

Still, compared to the reflex camera version, this lens has some assets too. It is physically lighter, a bit slimmer and, what’s interesting, cheaper, because its suggested price is almost $1100. The reflex camera version of this lens, present on the market for almost two years now, is $20 cheaper.

The tested lens has a serious rival in the shape of the Tamron 28-75 mm f/2.8 Di III RXD, an instrument $220 cheaper. Of course the Sigma still offers you the 24 mm focal length, an important feature, and a significantly better performance on the edge of the frame – for many prospective customers these will be two big selling points. By the way we, customers, should enjoy the fact that, apart from expensive brand name products (after all the Sony FE 24-70 mm f/2.8 GM costs almost $2200!) we have an opportunity to buy quite good products of thrid-party producers in this segment.

Sigma 24-70mm FE lens at Amazon, BHphoto, Adorama, Calumet DE, FocusCamera. WexUK

World’s first review of the new Meyer Optik Görlitz Trioplan 100mm F2.8 II E-mount lens

Marc Alhadeff from SonyAlphaBlog tested the new Meyer Optik Görlitz Trioplan 100mm F2.8 II E-mount lens. This is the first lens produced by the new company OPC Optics. They acquired the bancrupt Meyer Optik in 2018. You can now preorder them at BHphoto:

Conclusion of Marc Alhadeffs review:

The Meyer Optik Trioplan 100mm F2.8 is an unusual lens that has its own signature
It will give you a unique look for portraits and flowers pictures if you can compose a scene with a subject at 1m and a noisy background at 3-10m (with some lights if you want big well defined bubble)
You can also use extension tube to do some more macro and increase the size of the soap bubble bokeh
Video results are also very nice and give a unique look

To summarise

  • Excellent build quality
  • Good sharpness wide open with low contrast requiring post processing
  • Good as of F4 with decent contrast
  • Unique soap bubble bokeh at F2.8 and very good diffuse bokeh at F4
  • Need to compose with subject at 1m and background around 3-10m to maximise effect
  • Reduced zone that will be in focus : so good for individual portrait but not for couple
  • Lot of Ghosting flare with incident light
  • Price relatively high : 1000 euros

Compared to a vintage lens it will not do better in term of sharpness , contrast, bubble bokeh and some 1st grade vintage Trioplan like the one I own are doing better

One of the main advantage of the new version is that the focusing does not change when you change the aperture, on the old one when I was closing down the aperture I had to refocus otherwise it was a little bit out of focus most of the time
But buying an old Trioplan does not give you warranty on the mechanics and expose you to more variability in term of the quality of the results (Try to find a one with the 1 in the triangle = 1st grade)At 1000 euros vs 400-700 euros for an old one , you pay for brand new mechanics, high quality manufacturing , no need of adaptor and more controlled/constant quality

Choice is yours

  • be adventurous buying an old one or
  • stay safe buying the new one ,

In both cases you will be able to experiment the Soap bubble bokeh but will require some post processing for contrast